It might seem innocent.
Yes, this is innocence. It is the purity of what happens when the postmodernisms and the camps and the sooavantgardes have made their statements and played their anti-tunes, and yet, we are still there, trying to listen in to that something special.
Call us romantic. Call us Those Who Couldn't Stand The Progress And Stepped Back.Retrograded, taking the easy way out, exploring the (music's, world's, history's) feedback.
Call us romantic. Call us Those Who Couldn't Stand The Progress And Stepped Back.Retrograded, taking the easy way out, exploring the (music's, world's, history's) feedback.
Yet feedback is not the sound that comes back to its source. It is not the echo. It is the echo used as an input.
Thus, what you call feedback is the mere beginning, the source material of the process of creation. As the world comes back crumbling to the imperfection of our ever-childish senses, our feeble gestures, breaking through our inherited self-irony, make things possible. Better, they give us back the light.
Too light? Too naive?
Would you prefer this?
The Gospel was right: The meek shall inherit the Earth. Actually, they've inherited it already. Along with the self-irony, they took what was most precious, and what many deemed lost - the damn aura. Yes, the damn aura still shining and glowing through all the mechanical reproductions. We still want their bloody flesh, we still want to know this is where it's at, right here, between the stage and you, between the song and you.
x x x
All this crossed my mind when watching the brilliant The Song Is You festival at Powiększenie in Warsaw recently.
The song that stayed with me the most was simple.
Here it is:
Do you get it? Beyond the gorgeous lyrics, can you feel how it was, listening to it in the club basement, with the grand piano behind Momus, the lights, the weekend dying away? Or can you imagine it? How different is the song you hear from mine?
More on the festival here. Don't miss tonight (12.03), the last part of the festival, with Kyst and AU.
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