Art Full: September 2011

Selasa, 27 September 2011

After Effect Tuts Plus Tutorial Vol.6 Free Download

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AE.TUTSPLUS - Video Tutorials for Adobe After Effects (Volume 6)
English | QuickTime (MOV) | 9.5 Hours | 3.99 Gb
Video: 1280x800, 30 frame/s | Audio: mp4a: 44100Hz 128 kb/s tot , stereo (2/0)

Aetuts+ is a site made to house and showcase some of the best After Effects tutorials around. We publish tutorials that not only produce great effects, but explain them in a friendly, approachable manner. We also stock up links to tutorials, articles, presets and plugins from around the web to help you get the most out of After Effects.

117. Understanding Linear Workflow
This tutorial is an introduction to using linear workflow within After Effects in order to achieve more photo-realistic composites. This is a prerequisite tut to pave the way for one we'll be posting soon on how to work with RED footage within AE.

118. A Delightful Swirl Of Audio
Next time you find yourself traveling through time... you can only hope the soundtrack is more like this. In this tutorial we will learn how to use Trapcode Form's AudioReact to create a very cool scene that reacts to the music. See you on the other side!

119. The Birth Of A Logo – Day 1
There was an explosion of characters and thus the Logo was born. In this tutorial we'll be using some of the new options of Trapcode Particular 2 as well as some techniques with Trapcode Form to create an epic depiction of the first logo in history.

120. The Birth Of A Logo – Day 2
There was an explosion of characters and thus the Logo was born. In this tutorial we'll be using some of the new options of Trapcode Particular 2 as well as some techniques with Trapcode Form to create an epic depiction of the first logo in history.

121. Basic Match Moving with PFhoe – Day 1
You may know how to Bust a Move, but the real question is can you Match a Move? In Day 1 of this two part tutorial we're gonna start by looking over the interface of PFhoe and explain how to get a basic Match Move. From there we'll bring the camera solve into AE to see what we can do with it. Day 2 we'll head over into Illustrator and 3ds Max to generate an extruded logo and finally bring it all back into AE for the final composite.

122. Basic Match Moving with PFhoe – Day 2
You may know how to Bust a Move, but the real question is can you Match a Move? In Day 1 of this two part tutorial we looked over the interface of PFhoe and explained how to get a basic Match Move. Now in this second part we'll head into Illustrator and 3ds Max to generate an extruded logo and finally bring it all back into AE for the final composite.

123. This Logo Will Self Destruct In 5 Seconds
In this tutorial we will be creating a really cool title effect suitable for epic title sequences. The tutorial will explain the steps in order to create a Time Trail effect, and then disintegrate the title to transition out.

124. Send A Happy 2010 New Year Card
In this holiday season, it's always fun to send cards to each other, well in this tutorial we are going to make a lovely animated New Year card that you can post on Facebook and tag all your friends in or whatever else you might wanna do. Enjoy and we'll see ya next year!

125. Create A Glowing Red Hot Hand
I think we can all admit that part of the reason we got into After Effects was to live out our inner fantasy of being a mutant or super hero of some sort. Guilty. Be careful as you watch this quick tutorial, you don't wanna get caught Red Handed... Somebody had to say it...

126. Maya into After Effects Workflow
We've had a few tutorials in working with 3ds Max and AE, and even more with C4D, but there have been lots of requests for help in working between Maya and AE. In this tutorial we will be creating a 3D billboard in Maya, then bringing it over to AE for the design application

127. Create A Heart Monitor With Expressions
You may think you love After Effects... but how can you really tell until you've created a heart monitor that proves the passion is alive and well?! You can't... I'm sorry, it's the only way. Jorrit will show some handy expressions within Particular that should help you with any number of projects.

128. Learn How To Composite A Zombie-Like Tear Of Blood
There are so many projects where we blow up a Zombie head or have blood splatter against the wall after we shoot one. I think we’ve missed something important though. Zombies are… were people too. We need to be sensitive to what they’re feeling. Don’t just say, “Wipe those bloody tears off your face!” Hurting Zombies hurt people.

129. Create a Rockin’ Automated Slideshow
We've all been faced with this dilemma... You return from vacation with 2000 photos and dread having to edit them, especially since every photo is a prized capture that the world HAS to see. This is where the Turbo Slideshow comes in. With the aid of a couple of scripts, you can have all 2000 synced to music in a matter of minutes... and speaking of a matter of minutes... that is all it will take to see all the photos! It's a win win situation for everyone.

130. Freeze Your Logo With A Snowy Transition
Even though we're past the Christmas season, many still have snow on the ground. Well this little effect would be a perfect opener for any "winter-themed" project. I understand that life can be tough because you can't please everybody... but! you can freeze every logo! And we're gonna show you how.

131. Photoshop 3D Into After Effects Workflow – Day 1
One of the coolest features of late that Adobe has included is the ability to open 3D models within Photoshop and After Effects. In this tutorial Brian will use the example of a mock coffee shop promo to show some of the basics techniques you can use. I hope the coffee is fresh though, otherwise that's grounds to not watch the tut... grounds... coffee... yeah.

132. Photoshop 3D Into After Effects Workflow – Day 2
One of the coolest features of late that Adobe has included is the ability to open 3D models within Photoshop and After Effects. In this tutorial Brian will use the example of a mock coffee shop promo to show some of the basics techniques you can use. I hope the coffee is fresh though, otherwise that's grounds to not watch the tut... grounds... coffee... yeah.

133. Basic Footage Coloring And Object Removal
We spend so much time trying to make footage look old... but what if your footage already is old? I guess you'd have to color it then, right? That, and take junk out. So here's a basic tut to walk through how it can be done.

134. Happy Valentines Day from AEtuts+!… we love you!
This tutorial is for beginners. I'm noticing that some people enjoy seeing motion graphics/broadcast animation tutorials so here it goes. This end result certainly isn't and Oscar-winner, but it does show a number of things that everyone should know. This could be a way to create simple, yet functional screen-cast opener for example... We'll start in Photoshop (perhaps Illustrator would be better, but since I don't have it yet, I used Photoshop) and then dive in AE till the end of the tut. I worked hard doing this and preparing all the stuff so I hope you enjoy it. Let's get started!

135. Get Blown Away With An Explosive Corridor Blast
BOOM !!!... seriously guys, blowing things up is the only reason why you all are watching these sites, right? =D Anyway, in this beginner to advanced tutorial I want to give you a good start to create...well...chaos and destruction, muharr harr...just kidding, have fun guys! =D

136. Simulate A Glowing Neon Light Sign Of Your Logo
I know we all have busy schedules with lots of things to do during the day.... and ya know, that's the very reason we stay open late here on AEtuts+! Ok, it's a website so that doesn't really work, but if we had a store front we would stay open late just for you... you and the date you brought who doesn't think it's gonna work out.... sorry, they told me not to tell you... hmm... awkward... Here's how to create an "Open Late" sign yourself.

137. Grow A Grassy Field With Particular
As an After Effects user, you'll know that finding time just get outside and enjoy a beautiful day isn't always an easy thing to do. The answer could be to get up more and walk outside every once in a while... but when even something that simple isn't an option, you may just want to have this project file handy so you can dream of what life is like on the outside.

138. How To Create A Surreal Outer Space Nebula
You don't need to be an astronaut to enjoy a breathtaking celestial scene... you can create one yourself! They say beauty is in the eye of the beholder... Well I don't know who "the beholder" is and why his eyes are so gorgeous, but I think this effect is quite lovely as well. Enjoy!

139. Use Color To Control Your Textures
The government may have control of your money, your boss may have control of your schedule, and you're kids may even have control of what you're doing this weekend... but alas, there is one thing you will not forfeit! You will never give up control of your textures!... that is, unless color wants control... then you have to hand it over, sorry.

140. Set Up A Night Club Rave Scene
Who cares if you weren’t invited to the party… you can make your own in AE! Seriously though, If you need to create a quick dance party to show your client the fun they could be having if they hired you… use this tutorial to show them.

141. Leap Into Hancock-Style Super Jump Effect
You may have to get up and stretch out a little before starting this tutorial. It’s got some pretty ground breaking techniques and covers quite a lot leaving very little up in the air. In honor of this being a leap year and all, here you go… jump in.
Similar to Andrew Kramer’s tutorial, this one shows how to use a Difference Matte to roto out an actor and then composite various HD elements in front AND behind an actor to make the ground smashing effect seen in movies such as Hancock and games such as Crackdown.

Digital Tutors - 'Infiltrator' Production Pipeline Volume 7 : Compositing

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Digital Tutors - 'Infiltrator' Production Pipeline

Volume 7: Compositing
English | VP6F 782x646 | MP3 96 kbps | 2.62 GB
Genre: eLearning

In this series of lessons we'll learn how to use Composite to re-assemble our Maya render passes and integrate them with our background plates. Using composite to assemble our final render gives us an incredible amount of creative control over the final look of our shot. We'll begin this project by importing our render passes from Maya. From there we will do some basic compositing. We'll then begin troubleshooting our shot and using a variety of tools and techniques to integrate our elements. We'll also learn how to fix issues in our background plate using masks, keyers and other tools. During this shot, we will be animating various elements to tell the director's story. Finally, we'll finish the shot by using warping and filtering tools to create an ending for our infiltrator shot.

Lesson Outline (36 lessons)

1. Introduction and Project Overview
2. Importing our images into Composite
3. Using a Display Pass Through to see the correct gamma
4. Adding our shadows and ambient occlusion using CC_basics
5. Compositing our colors layers and gamma shifting
6. Lightwraping our foreground using a macro preset
7. Darkening our background with our AO and shadows
8. Formatting our Depth pass to work with a blur node
9. Adding Depth of Field blur using the modulation tab
10. Fixing blown out pixels and using alpha tools to fix edge issues
11. Adding motion blur using our 2d motion vector pass
12. Using Streams to effect multiple layers with a single tool
13. Fixing the background blur tool and input images for clean edges
14. Adjusting the wall AO and shadow for more realistic results
15. Beginning to fix the wall with a diamond keyer
16. Compositing the cut-out wall over black and blurring the edge
17. Using a Color Curves for spill suppression of the green hue
18. Fixing small areas of our wall by modifying our key
19. Animating the blending of the spider for a darker start
20. Using our RGBA Matte to color correct parts of the spider
21. Blurring and graining the spider subtly for increased realism
22. Preview rendering and using Intermediate Results for speed
23. Fixing a wall issue with an animated garbage matte
24. Finishing the garbage mask animation for our wall
25. Color correcting our foreground to match the wall better
26. Adding chromatic aberration to our composite
27. Creating a lens flare using the Lens Blur tool and animation
28. Adding other filters to finish our lens flare effect
29. Color correcting and Vignetteing our composition
30. Showing the spider break the camera - Lens Distort
31. Color correcting our spider to show it gathering energy
32. Pinching our composition to begin transitioning out
33. Using a Lens Blur to blow-out and blur our image
34. Using Flares to add light streaks to our composition
35. Using Haloes to create an appealing lighting effect
36. Rendering our final shot

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Digital Tutors - 'Infiltrator' Production Pipeline Volume 6 :

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Digital Tutors – ‘Infiltrator’ Production Pipeline Volume 6: Rendering | +Project files | .flv | 939mb

Lesson Outline (20 lessons)

In this volume of the Infiltrator Production Pileline, we will go through the process of setting up materials, lights and render passes in preparation for final compositing.

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Digital Tutors – ‘Infiltrator’ Production Pipeline Volume 5: Animation + Project files
English | FLV | 782×646 | VP6 1024Kbps | AAC 96Kbps | 1.8GB

In this course we will take the rigged Infiltrator and bring it to life with animation. We’ll animate the Infiltrator with a production focus, using storyboards and an animatic to assist us in making sure our animation adheres to specific instructions.

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Digital Tutors - 'Infiltrator' Production Pipeline

Volume 4: Match Moving
English | VP6F 782x646 | MP3 96 kbps | 1.27 GB
Genre: eLearning
In this series of lessons we'll learn how to use MatchMover to track some real-life footage and create a 3D scene that matches the real camera's movement. Match moving is an essential step for integrating 3D into real footage.

We'll begin this project by examining the footage and seeing what processes have been already done. From there, we will enter camera data from the shoot and manually track the shot. Once we have a solid camera solve using manual tracking, we will use the automatic tracker to create many 3D points for us. Then we'll finish the match move by manually tracking key areas and creating a coordinate system. Once we move to Maya, we'll create some stand-in geometry and render a preview of the match move. This series of lessons will show how to use MatchMover's powerful manual tracking features to solve a difficult shot and finish prepping the file before handing it off to the next person in the pipeline. This will allow us to animate on top of geometry that is very close to the real world for increased realism and ease of use. All footage that needs 3D integration will need to be match moved, so this is a very important part of the production pipeline.

Lesson Outline (19 lessons)

1. Introduction and Project Overview
2. Examining the shot and how we pre-processed the footage
3. Bringing our shot into MatchMover and caching our frames
4. Entering the camera data from our shooting notes
5. Creating our first round of manual tracks
6. Adding multiple manual tracks to define the brick wall
7. Finishing our seven tracks that span the entire shot
8. Manually tracking deep depth features for parallax
9. Solving the camera and checking the quality of the solve
10. Fixing our 2D tracks to remove problem areas of our solve
11. Using Automatic tracking and cleaning to quickly add 3D points
12. Quickly creating multiple manual tracks to define the hole
13. Creating multiple manual tracks to define the inside of the hole
14. Creating a Coordinate system to define the axes
15. Using Maya® Composite to create a low-res preview sequence
16. Creating geometry using our tracking markers in Maya
17. Previewing the geometry using textures
18. Finishing the modeling of our stand-in geometry
19. Creating a nice preview render with the Use Background shader

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Digital Tutors Infiltrator Pipeline Volume 3 : Rigging

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Digital Tutors - 'Infiltrator' Production Pipeline Volume 3: Rigging
English | VP6F 782x646 | MP3 96 kbps | 1.54 GB
Genre: eLearning

Required software Maya 2011
In this course we will take the crab robot Justin has built and rig it to performance based off of the certain specifications.

We'll construct the control rig with a production focus. In the end, we will not only have worked with the rigging tools in Maya, but we'll also have looked into ways we can use some of those tools creatively to get the job done right and at a faster pace.

Lesson Outline (33 lessons)

1. Introduction and Project Overview
2. Starting on the Proxy Mesh for the Infiltrator
3. Finishing the Proxy Cage
4. Beginning the Infiltrator rig and creating the middle leg's bones
5. Creating Joint Chains for the rest of the legs
6. Building joints for the arms
7. Connecting IK Handles to the limbs and Parenting the Proxy Meshes
8. Starting on the revolving leg rig
9. Working on the Infiltrator's body rig
10. Leg controls for the Infiltrator
11. Creating knee controls
12. Setting up the Infiltrator's arm and elbow controls
13. Using Custom Attributes for the claws
14. Dynamically Parenting the arms to the body
15. The Center of Gravity control
16. Creating controls for the revolving legs
17. Finishing the revolve controls for the legs
18. Establishing a revolve control for the Infiltrator's body
19. Rigging the head
20. Beginning the eye rig
21. Finalizing the eye rig
22. Rigging the neck
23. Using Deformers to rig the head flexor
24. Rigging the pistons connected to the back shells
25. Creating controls for the back shells
26. Completing the shell rig
27. Automating the movement of the front shells
28. Adding automated subtleties with Set Driven Keys
29. Finalizing the automation of the front shells
30. Building a Global Control and organizing the scene
31. Working with Character Sets
32. Tying the Render Mesh of the Infiltrator into the control rig
33. Finalizing the Infiltrator control rig

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After Effect Tuts Plus Tutorial Vol.5 Free Download

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AE.TUTSPLUS.COM - Video Tutorials for Adobe After Effects (Volume 5)
English | QuickTime (MOV) | 9.5 Hours | 5.08 Gb
Video: 1280x800, 30 frame/s | Audio: mp4a: 44100Hz 128 kb/s tot , stereo (2/0)

90. 3D Paper Crumple with Freeform AE
Next time you get a frustrating assignment that you didn't ask for, don't crumple it up and throw it at your boss's face. Now you can easily call it quits within After Effects! Rob uses the example of creating a paper crumple transition to show off the Digieffects plugin Freeform AE. Who knows... this tutorial might just save your job.

91. The Best Sound You’ll Ever See!
Satya is back with a new tutorial that will help you look as good as you sound. This technique has many options so sit back and learn how to create an attractive visual generated from your audio spectrum.

92. Terminate Your Footage With Expressions – Day 1
If you're wanting to help to save Sarah Connor then maybe this tutorial will give you an insider's perspective on what to do. Ben McEwan has created a 3 Day Series crammed full of useful expressions to create the UI found in the Terminator. He'll skim over some of the basics of shape layers, as well as touch on some more advanced stuff like displacement mapping.

93. Terminate Your Footage With Expressions – Day 2
If you're wanting to help to save Sarah Connor then maybe this tutorial will give you an insider's perspective on what to do. Here is Day 2 of this 3 Part Series by Ben McEwan. You can view Day 1 here.

94. Terminate Your Footage With Expressions Day 3
If you're wanting to help to save Sarah Connor then maybe this tutorial will give you an insider's perspective on what to do. Here is the Final Day of this 3 Part Series by Ben McEwan. You can view Day 1 here and Day 2 here.

95. Form A Unique Transition
In this tutorial we are going to reveal how to create a cool particle transition between 2 videos using Trapcode Form. We will cover the importance of layer maps while using this plugin as well as how to create a stylish displacement of the particles.

96. Living in Toytown
Until recently this effect has been created in-camera using specialized lenses. In this tutorial, Richard Bird gives an overview of how the "Dollhouse Effect" can be quickly recreated in post-production without the use of 3rd party plug-ins by remapping the depth of field, use of simple colour correction and altering the frame rate.

97. Making Your Color Scheme a Whole Lot Kuler!
Adobe Kuler is a great resource for color themes that is perfectly integrated in all Adobe CS4 software - except for After Effects. But this has changed now. In this tutorial, Mathias Mohl shows how you can use his brand-new script "Chameleon - The Adobe Kuler Color Theme Browser" to work with Kuler color themes in After Effects. Apply a new color theme with just one click and all colors of your composition update automatically.

98. Writing with Colored Sand
We are going to make this writing with sand sort of effect. The story behind this tutorial is; One day my manager asked me for spray or sand kind of effect. First I googled on the internet but I never found any kind of tutorial, After one hour of RnD, I came up with this effect which I felt was looking great, so I figured I would share it with you guys.

99. Map Your Destination in AE
If you're planning a trip and need to set up a visual location overview, you're in luck! If you pretty much never even leave your room accept for class, work, and meals, you're still in luck! With some expressions, good technique, and a little treasure hunting instinct, Jorrit Schulte guides us through the process of this animation journey.

100. Use Lights To Project Your Logo
This tutorial basically involves three things that could be useful - Use of Light Projections (text projected onto white solids), Text Writing with particular and Use of Exported Camera from cinema 4d. There are some good principles you can take from this example.

101. Get Your Disco Groove On
I hope you got the funk in your trousers!... ok, that sounded better in my head. Today we are going to create a full disco club scene. There are a number of elements involved so hopefully you can moonwalk away with something groovy!

102. Writing With The Clouds
I think at some point everybody has enjoyed trying to point out shapes of animals or other random things while looking up at the clouds. Well today you get to decide what that cloud shape will be! Without using any 3rd Party Plug-ins, I'm going to show you guys a simple way create clouds from shapes, text, a logo... anything you want! In this tutorial the main focus will be on track mattes and working with masks.

103. Create A Comic Book Style Animation
There are many ways to make yourself look cool like rescuing babies, planting trees, or even hiring someone with consistently bad breath to hang out with you so you become the social favorite by comparison... it does work. But I think the comic book super hero method ain't too bad either and so today you'll learn some helpful workflow tips integrating Photoshop along with how to take your footage and give it that comic book style.

104. Boharg II Breakdown
I came across and this short film and it reminded me of so many friends' first video projects... except done really well. I asked David to show the basic techniques he used to create this effect driven action sequence. He'll show some Time Remapping, Distortion, and Color Correction tips that could even save you from running into yourself in an old building...

105. Shine Some Light On The Situation
When working on VFX, you can often measure your success by how invisible you are. If the audience doesn't know there was an effect created, then you did a good job. In this tutorial I will show you all how to make turn a plain dolly shot into a dynamic room with light rays and a sky replacement.

106. Learn How to Create an Advanced Jumper Effect
We’ve all seen the standard disappearing effect from a camera that sits on a tripod and doesn’t move. In this tutorial you’ll learn how to create a dynamic disappearing effect from a moving camera shot. Our camera will pan with the actor as he runs, jumps, disappears, and reappears. The actual disappearance also includes a dynamic dissolve and warp effect. And the best part is, no third party plug-ins are required.

107. Excellent Explosions and Extreme Extrusions in C4D
In this tutorial, Carlos will teach us how to create extruding text exploding out of a box using C4D. We'll then bring it into After Effects to add more particles and a background. This is excellent effect to go through if you've been wanting to try a 3d program.

108. Create Your Own Custom Effects!
For those looking for something a little more advanced and useful. Here it is! Momcilo takes us step by step into Creating Your Own Custom Effects. You don't have to wait for "somebody to come out with it..." Now YOU can!

109. Add A Vignette With Ease – Custom Effect
One great tool used to "Have it Your Way" is Custom Effects. For those of you who are unfamiliar with Custom Effects you can check out this article. Momcilo is going to walk us through the basics of creating your very own Vignette Custom Effect. Enjoy!

110. Distribute Your Layers in 3D – Custom Effect
The Distributor is a free custom effect that randomly places selected layers throughout 3D space. With its vast number of settings you can control not only the range of the distribution, but also rotation, opacity and much more. Overall the Distributor will help save time while overcoming limitations of various plugins.

111. Countdown In Style with Clockworks – Custom Effect
If you need a great video intro and have less then 24 hours to deliver, then you're in luck! We're going to be looking at Jorrit's Clockworks Custom Effect and working through how to make your own intense show opener using it. You can hang up with CTU, everything you need can be found below!

112. Fix Interlaced Footage With Deinterlacerator! – Custom Effect
If you have a box full of old mini DV tapes in your closet that you've been meaning to go though, now might be the time! With this helpful CE you can convert Line-Laden footage into Pixel Perfection in no time. Download the Free Custom Effect and follow along!

113. Become a Storm Chaser – Day 1
In this two part tutorial we'll learn how to composite a Tornado and unique point of view using only still pictures. Then learn how to add even more effects like distant lighting and cloud twirling. You'll learn about the puppet tool, the camera's focus options and the endless possibilities of particles. Best of all, there are no external plugins are required! Twist and Shout!

114. Become a Storm Chaser – Day 2
In this two part tutorial we'll learn how to composite a Tornado and unique point of view using only still pictures. Then learn how to add even more effects like distant lighting and cloud twirling. You'll learn about the puppet tool, the camera's focus options and the endless possibilities of particles. Best of all, there are no external plugins are required! Twist and Shout!

115. Drop Some 3D Into AE – Day 1
In this tutorial we will take a brief look at integrating 3D physics into an After Effects project for a simple motion graphics piece. This is a beginners tutorial and pointed towards those taking there first steps in integrating 3DS Max (reactor) with After Effects.

116. Drop Some 3D Into AE – Day 2
In this tutorial we will take a brief look at integrating 3D physics into an After Effects project for a simple motion graphics piece. This is a beginners tutorial and pointed towards those taking there first steps in integrating 3DS Max (reactor) with After Effects.

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After Effect Tuts Plus Tutorial Vol.4 Free Download

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AE.TUTSPLUS.COM - Video Tutorials for Adobe After Effects (Volume 4)
English | QuickTime (MOV) | 9.5 Hours | 4.41 Gb
Video: 1280x800, 30 frame/s | Audio: mp4a: 44100Hz 128 kb/s tot , stereo (2/0)

68. Create Procedurally Animated Rhythmic Dancing Marbles
By now you should expect nothing less than amazing procedural animations from Satya and this tutorial is no exception. Inspired by this piece by Eamae Mirkin which was originally created using the processing programming language, Satya explains the required math background and shows you how to replicate this beautiful animation in After Effects.

69. Create a Leaf Growing Network TV ID
Network TV ID's are usually a 5 or 10 second piece that pleasantly announces the channel's logo. In this tutorial you will learn how to create this real-world, network ID-style scene for your logo or type treatment using After Effects, Trapcode Particular, and stock images.

70. Create a Paper Tearing Logo Reveal
Using some clever photoshop and green screen techniques you will learn how to create this logo reveal inspired by the movie "The Orphanage".

71. Create Fairly Realistic Fire using CC Particle World
Using the built-in plugin CC Particle World and a few tricks, learn how to create this fairly realistic looking fire shot.

72. Animate a Dancing Ice Cream Bar in Cinema 4D and After Effects
Aetuts+ sister site devoted to 3D graphics, Cgtuts+, has just published a wonderful tutorial on animating some cute dancing ice cream bars in Cinema 4D and After Effects. The result is very, very cool - and so are the techniques used.If you're a C4D user (or would like to be) and want to learn more about pairing the program with After Effects, this tutorial would be a great starting point. Hit the jump to preview the tutorial, or go there now!

73. Create a Flare and Light Streak Text Reveal
Made popular in recent commercials, using light streaks to reveal text and logos is a great way to bring an extra punch to your productions.

74. Create the “My Paper Mind” Effect
This tutorial will teach you how to recreate the "My Paper Mind" effect done by Javan Ivey, but with the environment in mind, Nicolas has come up with a way to save some paper (as well as about 3 days worth of paper cuts!) It is all done in After Effects without any third party plug-ins. Enjoy!

75. Creating a Tracked Head Wound
In this tutorial Mathias shows that corner pin tracking can do much more than just replacing some pictures on a wall. We are going to compose a wound on a moving head and use the Mocha tracker in combination with his script MochaImport. Trust me, this is so much easier then creating a real head wound!

76. Create a Palmticular Tree
Vincent introduces a few of the new features in Particular 2 with the creation of a growing palm tree. Put on some sun screen and enjoy!

77. Create the JibJab Effect
Learn how to turn yourself into a cartoony looking animation. If you have a client that wants something funny or if you're just bored and need something to do with your friends, this is a simple tutorial that will generate some extremely entertaining results!

78. Create a Peaceful Sunset
In this tutorial James will show some practical techniques in creating a lovely sunset scene. He will cover extracting a tree image from the sky background within Photoshop and animating a realistic sunset.

79. Mac OSX Wallpaper Creation – With Invigorator Pro - Day 1
In this tutorial Saqib recreates the Mac OSX Wallpaper. He will start off Day 1 setting up the background to create the simulated aurora feel. Then be ready for Day 2 as we jump into Invigorator to create our 3d logos.

80. Mac OSX Wallpaper Creation – With Invigorator Pro - Day 2
In this second part of his tutorial, Saqib recreates the Mac OSX Wallpaper. He will show us some of the basics of Zaxwerks Invigorator.

81. Create Mac OSX Intro Video with C4D – Day 1
As the penultimate nugget of goodness in our Mac Lover's Week, Satya created a 2 day tutorial that everybody will enjoy! In day 1, he will walk us through Cinema 4D and how to create the 3d text in this effect.

82. Create Mac OSX Intro Video with C4D – Day 2
In day 2 of this tutorial, we will finish up in Cinema 4D, then head over into After Effects and see how to put all the pieces together.

83. Create Harry Potter Titles
You don't have to be a graduate of Hogwarts to create cool titles! In this tutorial you will learn the simplicity of creating an amazing looking Harry Potter "The Half-Blood Prince" introduction, using only four photographs and the power of After Effects. So quit your Quidditch and have a seat. It's gonna be magical!

84. How to Create a Glitchy Interface Animation
This tutorial will teach you how to recreate a stylized Glitch Interface Animation that resembles a high tech control system, with an analog monitor startup. Anthony Errisuriz provides his step by step process for creating this amazing effect with design from Illustrator and animating in After Effects.

85. Learn to Make a Custom 3D Wall Text Reveal
Using basic AE tools and some expressions you will learn how to create this 3D wall made of custom shapes and a nice laser beam to reveal your text.

86. Integrating C4D into AE
The more you get into After Effects, the more you realize how cool it is to bring in stuff from outside the program. This tutorial shows how take a scene from Cinema 4D and bring it over into AE. After effects is a compositing program and this is a perfect example of how to take a basic animation and add some "after effects"!

87. Animate Your Logo Into Characters
In this tutorial, we will learn some of the cool new features introduced in Trapcode Particular v2.0. Inspiration for this tutorial is from the logo reveal of the Digital Domain Animation Company. It may not be as good as that (since it had been done completely using a 3d software), but I thought to give it a try in After Effects.

88. Put Together a Realistic District 9 Composite
Adding outside elements into a scene can be a tedious endeavor. Today we'll be shown a few different compositing tips as we superimpose the space ship from District 9 into our shot.

89. How to Make Paper People
Stop-motion animation using paper cut-outs can take quite a bit of time to produce... unless you use The Paper People effect! This technique gives you similar results in a fraction of the time. With the use of a current version of AE, you'll use the wiggle expression, hold keyframes, and the puppet tool to emulate the classic look of a beloved form of traditional animation.

After Effect Tuts Plus Tutorial Vol.3 Free Download

Free Download

AE.TUTSPLUS - Video Tutorials for Adobe After Effects (Volume 3)
English | QuickTime (MOV) | 9.5 Hours | 4.19 Gb
Video: 1280x800, 30 frame/s | Audio: mp4a: 44100Hz 128 kb/s tot , stereo (2/0)

45. Create a Sound Reacting 3D Waveform Animation without 3rd Party Plugins

Satya has done it again. He's managed to re-wire and re-invent tools that we've had for a long time to create what would normally only be possible with third party plugins. For all of you that ask for tutorials that only use built-in plugins, this one is for you. Satya has even created a free preset so you don't have to re-create the effect from scratch every time.

46. Create a “Bullet Time” Logo Shatter Effect

Wikipedia defines Bullet Time as a digitally enhanced simulation of variable speed (i.e. slow motion, time-lapse…) photography used in films, broadcast advertisements and computer games. It is characterized both by its extreme transformation of time (slow enough to show normally imperceptible and un-filmable events, such as flying bullets) and space (by way of the ability of the camera angle—the audience's point-of-view—to move around the scene at a normal speed while events are slowed). The first movie credited with this effect is Blade, but it was the Matrix that really made it famous.

In this tutorial, Wes shows us how to use the built-in Shatter plugin to achieve "Bullet Time" with type or a logo.

47. Dunk Your Logo in a Wave World

Adam brings back his charm in this tutorial that is all about the rarely used Wave World plugin. You will learn all the ins and outs about this plugin that can even do 3D!

48. Create a Stormy, Electric Type Reveal

This tutorial gives a different twist on how to use the powerful form plugin. Learn how to use it to create a mysterious and electric type reveal.

49. Give Your Type Some Ball Action

We get a lot of requests for tutorials that don't require 3rd party plugins, and since we like to make our readers happy whenever possible, Adam is back breaking down the rarely used "CC Ball Action" built-in plugin to make some very cool type transitions.

50. Color Grade and Enhance a Horror Shot

Good horror isn't about over the top effects. Its about using effects and colour correction to create a constant and un-nerving sense of fear, suspense and terror as part of an imaginative and horrifyingly well directed film. In this first part James will teach how to create 2 scenes. First how to take a shot of a mansion and give it an intense and scary look through sky replacement and colour correction. Second we will take a shot of a stone gargoyle face and create a subtle yet creepy effect in which it frowns evilly at an oncoming victim. Be afraid...be very afraid.

51. Make Form Cinematic

The secret to making motion graphics look sexy and less digital is to borrow some tips from the cinematic production world. Simon breaks down a bunch of tips including how to build your own light leaks and film scratches! The tricks learned in this tutorial can be applied to any motion graphics piece.

52. Create a Geometric Color Explosion

Wes Kandel is back to show us how to combine geometric shapes made in Illustrator and then imported and animated in After Effects to create his very cool Geometrika piece.

53. Create a 3D DNA Strain

We are very happy to welcome AE legend Maltaanon to the Aetuts+ family. Maltaanon kicks things off with this tutorial that makes very clever use of Trapcode's Form plugin to create something that would normally require a 3D application, but is accomplished entirely within After Effects.

54. Learn How to Create a Light Rays Custom Effect from Scratch

A custom effects is special kind of preset that looks and behaves like a plugin. It allows you to save a special recipe of plugins and keyframes into something that you can reuse with ease. Jorrit Schulte has been producing a bunch of these very useful custom effects and providing them for free at aenhancers.com. In this tutorial he breaks down how to create the incredibly popular light rays effect and how to package it all into a custom effect.

We're going to break down how you create a light ray effect, like shine, and then we're gonna learn how to create a preset so you can use it again any time you like inside of the preset. Finally we are going to make that preset into a custom effect using a script from nabscripts.com.

55. Create Whispy Spirit-like Text

Adam keeps digging through the good ol' built in CC plugins and continues to come up with very clever and visually awesome solutions. In this tutorial Adam uses CC Smear as the basis to create text that appears in as if a spirit whisped into it.

56. Create a Split-Flap Type Display

Split-Flap-What? It's the term used for displays that are found in train stations and airports, where they typically display departure and/or arrival information and do that cool flipping of letters to display the new information.

This tutorial does not show how to create the effect from scratch but instead it is a tutorial to explain how to use the project file created by Mattias Peresini who runs the totally awesome mattrunks website which has incredible tutorials for After Effects in French. We are very happy to have Mattias doing his first English tutorial for us here at Aetuts+.

57. Create A Surprising Billowing Cloth Reveal

It's amazing how much pseudo-3D you can do in After Effects today. This tutorial will focus on using a new plugin that brings 3D bicubic deformations to layers that allows you to truly bend and twist layers in 3D space. If you are familiar with 3D packages, this is true displacement as opposed to just bump mapping.

58. Create a Sci-Fi Movie Title Sequence

This tutorial covers the creation of a space-like si-fi title sequence from scratch. Michael shows us how you can easily create a visually interesting and impressive title animation with some simple title cards and text animation. The tutorial uses the Twitch plugin from Video Copilot, though a similar effect could be obtained by manual keyframing.

59. Create an Underwater Scene

We try to provide tutorials for users at all levels of After Effects. In this tutorial you will learn some good fundamentals on how to create a type reveal with an interesting background and environment. You will learn how to use all built-in tools and plugins to create a faux underwater scene complete with a bubbly type reveal. Simple.

60. War! Or How to Create a 3D Particle Generated Video Display

Wes comes back with another adrenalin fueled piece that is sure to become an Aetuts+ favorite. Using Trapcode Form as the basis to display video, he shows how to use the audio reactors built in to form to achieve something very very cool.

61. Create an Elegant Concentric Rings Animation

Inspired by the work of Mark Coleran. Satya shows us how to use iterations of simple shape layers to create some beautiful procedural art.

62. Heads Up on Some Cool Graphic Type Techniques

In this tutorial, regular Aetuts+ author Markus Gustafsson shows us how to use adjustment layers and expressions to create some edgy graphic design.

63. Create a Burning Building VFX Shot

Starting with nothing more than a few still photographs, learn how to create this dynamic burning building VFX shot.

64. Create an Effect Inspired by the Bourne Ultimatum End Credits Sequence

In a very clever use of Trapcode Particular, this tutorial shows us how to create an effect that is inspired by the Bourne Ultimatum end credits sequence.

65. Create a Radar Screen Logo Reveal

Using only built in plugins, learn how to create a radar screen which then reveals a logo. You will learn how to use 32-bit mode and few other tricks to simulate a real screen glow.

66. Learn How to Rig and Animate a Character and Create your Own Odyssey Day 1

In this massive 2 part tutorial you will learn how to rig and animate a character using a combination of Illustrator, Photoshop and After Effects and create an incredible, cinematic odyssey piece.

Part 1 covers pre-production techniques, workflow overview and creating and rigging the character. It also covers creating the star field background and creating the eye close-up.

67. Learn How to Rig and Animate a Character and Create your Own Odyssey Day 2

This is part 2 of this very comprehensive tutorial where you will learn how to rig and animate a character using a combination of Illustrator, Photoshop and After Effects and create an incredible, cinematic odyssey piece.

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Senin, 26 September 2011

Digital Tutors Infiltrator Pipeline Volume 2 : Modelling

Free Download

Digital Tutors Infiltrator Pipeline Volume 2: Modelling

Required Software: Autodesk Maya

	1. Introduction and Project Overview	56 sec.
	2. Reviewing reference art	3 min. 40 sec.
	3. Building a parts library - Part 1	10 min. 58 sec.
	4. Building a parts library - Part 2	13 min. 17 sec.
	5. Building a parts library - Part 3	13 min. 7 sec.
	6. Building a parts library - Part 4	9 min. 34 sec.
	7. Building a parts library - Part 5	8 min. 52 sec.
	8. Building a parts library - Part 6	7 min. 8 sec.
	9. Building a parts library - Part 7	5 min. 55 sec.
	10. Building a parts library - Part 8	7 min. 52 sec.
	11. Building a parts library - Part 9	14 min. 9 sec.
	12. Building a parts library - Part 10	5 min. 37 sec.
	13. Building a parts library - Part 11	7 min. 34 sec.
	14. Building a parts library - Part 12	6 min. 7 sec.
	15. Building a parts library - Part 13	7 min. 22 sec.
	16. Building the base of the body	9 min. 37 sec.
	17. Modeling the top of the body	8 min. 52 sec.
	18. Modeling the creature's head	10 min. 46 sec.
	19. Finishing the head shell	13 min. 5 sec.
	20. Building the eyes	14 min. 20 sec.
	21. Modeling the neck and head frame	11 min. 29 sec.
	22. Adding mechanical pieces to the head	11 min. 28 sec.
	23. Adding mechanical pieces to the body	11 min. 32 sec.
	24. Building the rear shell with struts	12 min. 18 sec.
	25. Modeling the front shell	15 min. 10 sec.
	26. Building the leg framework	11 min. 12 sec.
	27. Modeling the leg shells	13 min. 23 sec.
	28. Adding mechanical pieces to the leg	8 min. 54 sec.
	29. Setting up the hierarchy and building the back leg	11 min. 28 sec.
	30. Building the arms using leg geometry	5 min. 52 sec.
	31. Placing the legs and arms	11 min. 38 sec.

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Digital Tutors Infiltrator Pipeline Volume 1

Free Download

Digital Tutors Infiltrator Pipeline Volume 1:
Concept Design & Storyboarding

Required Software: Photoshop CS5

	1. Introduction and Project Overview	1 min. 1 sec.
	2. Idea generation through silhouettes	10 min. 13 sec.
	3. Pulling additional details out of select silhouettes	11 min. 41 sec.
	4. Rough line work: Basic proportions and positioning	10 min. 37 sec.
	5. Rough line work: Focusing on leg anatomy	10 min. 35 sec.
	6. Rough line work: Detailing the character's right legs	10 min. 36 sec.
	7. Rough line work: Detailing the character's arms and head	10 min. 43 sec.
	8. Rough line work: Detailing the character's left legs and torso	10 min. 4 sec.
	9. Refined line work: Neck and torso	10 min. 17 sec.
	10. Refined line work: Torso and neck	10 min. 45 sec.
	11. Refined line work: Upper right legs	10 min. 9 sec.
	12. Refined line work: Lower right legs	10 min. 26 sec.
	13. Refined line work: Arms	10 min. 30 sec.
	14. Refined line work: Left legs	10 min. 24 sec.
	15. Refined line work: Left legs and touch up	7 min. 22 sec.
	16. Color: Applying a quick range of values	10 min. 20 sec.
	17. Color: Beginning to blend values	10 min. 21 sec.
	18. Color: Blending our character's right legs and arms	10 min. 27 sec.
	19. Color: Blending our character's left legs	10 min. 23 sec.
	20. Color: Blending our character's head and torso	10 min. 37 sec.
	21. Color: Adding highlights	10 min. 38 sec.
	22. Color: Finishing highlights and final touches	11 min. 53 sec.
	23. Storyboarding: Breaking down the sequence	10 min. 23 sec.
	24. Storyboarding: Beginning storyboard artwork	10 min. 34 sec.
	25. Storyboarding: Completing storyboard artwork	11 min. 15 sec.

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Autodesk Maya 2012

Free Download

Autodesk Maya 2012 x32 - x64

x32 - 1,48 GB

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x64 - 1,6 GB

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Autodesk SoftImage 2012

Free Download

Autodesk SoftImage 2012

- 1,3 GB -

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101 Totally Awesome Photo Tips Free Download

Free Download

101 Totally Awesome Photo Tips

DVD | Learning | 4 GB

content :
Photo Retouching and Repairing
1. Changing Eye Color
2. Clean up Dust & Lint from scans
3. Digital Face Lift
4. Extracting Background
5. Fix crooked scans
6. Fix Demonic Pet Eye
7. Remove Backgrounds Precisely
8. Remove People out of Photos
9. Remove people Precisely
10. Remove Blemishes
11. Remove Depth from Photos
12. Remove Hot Spots
13. Remove Objects from Photos
14. Remove Red Eye
15. Remove Wrinkles
16. Restore Old Photographs
17. Saturate a Bad JPG Photo
18. Straighten an Image
19. Superimpose People
20. Whiten Teeth

Special Effects
1. Add a Digital Look to Portraits
2. Add Artificial Light
3. Add Lens Flare
4. Add Motion to a Photo
5. Chemical Coloring Effects
6. Color Overlays
7. Color Black & White Photos
8. Create a Photo Collage
9. Create Artistic Images
10. Create Duotones
11. Create Pastel Images
12. Custom Borders using Brushes
13. Dappled Light
14. Dreamy Photo Effects
15. Grid Effects
16. Insert a Photo into a Frame
17. Line Drawing from a Photo
18. Make a Photo look Old
19. Make a Photo look Painted
20. Make People & Pets Look Funny
21. Make People and Objects Glow
22. Match Color from Another Image
23. Mysterious Medieval Look
24. Paste an Image into Text
25. Patterns & Textures
26. Photo Toning Effects
27. Sketching a Portrait
28. Soft lamp; Romantic Photos
29. Stylish Borders
30. Time Warp Effect
31. Torn Edges
32. TV Lines
33. Vignette Photos
34. Water Drops
35. Watercolors

Enhancing and Polishing Images
1. Balance Skin Tones
2. Change the Depth of Field
3. Create a Panoramic Photo
4. Crop Photos
5. Enhance Photos
6. Replace the Sky
7. Sharpen a Photo
8. Smooth Skin

Correcting Exposure and Color
1. Change Color in a Photo
2. Change Color more Precisely.
3. Color Correction
4. Color Hair
5. Enhance Color
6. Fix Underexposed Photos
7. Get Perfect Exposure
8. Match Color Precisely
9. Remove Color Cast
10. Selective Coloring
11. Variations
Productivity
1. Batch Processing
2. Batch Renaming
3. Brush Tool Secrets
4. Burn Photos on CD (Mac)
5. Burn Photos on CD (PC)
6. Calibrate Your Monitor (Mac)
7. Calibrate Your Monitor (PC)
8. Create Many Size Photos on One Print.
9. Create a Before and After Image
10. Create a Contact Sheet
11. Create a Droplet
12. Create Web Photo Galleries
13. Cutting Edge Layer Techniques
14. E-mail Photos on the Mac
15. E-mail Photos on the PC
16. File Browser Basics
17. Get the Best Quality Scan
18. Create a ?Signature Stamp?
19. Locate Hidden Transformation Handles
20. Navigate Images
21. Prepare Images for a Web Page
22. Resize Images
23. Save Selections
24. Selection Secrets
25. Use Camera Raw
26. Use New Document Presets
27. Use Print Preview
28. Use the Histogram Palette
29. Work with 16bit Images

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part6 | part7 | part8 | part9 | part10

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